Jeremiah Chiu & Marta Sofia Honer
“Blending modular synth, piano and viola with richly textured field recordings, Chiu and Honer have crafted something exceptional — an immersive sonic environment that harkens back at times to the work of Brian Eno and Terry Riley without bowing at those particular altars.” – Aquarium Drunkard
The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu & Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind the ir disparate timbres together into a singular aesthetic reality. The two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation.
Honer & Chiu had been living and working in Chicago for a long time, both active members of the notoriously inter connected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.
Relocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s an Assistant Professor at Otis College of Art & Design; has exhibited/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop.