David Byrne: Who is the Sky? with Maruja Limon

This is a separately ticketed, reserved seat performance and is not included with a festival pass. Tickets will be offered first to festival pass purchasers during exclusive pre-sales beginning Tuesday, December 2, 2025. Pending availability, remaining tickets may be released to the public on Friday, December 5. Visit our Passes page and subscribe to our newsletter or follow us on social media for updates.

The list of songwriters who have changed the shape of rock and pop music as much as David Byrne is so short it barely exists. A founding member of the Talking Heads and a pioneer of using sampling to build uncanny worlds of rhythm and melody alongside Brian Eno, Byrne has long existed in the gap between the experimental and the accessible, the familiar and the alien, serving as an ever-flexible bridge between worlds that might have seemed distant. With Talking Heads, he fused Afrobeat and post-punk, morphing ideas of what constituted the New Wave with existential lyrics that invested the absurd with deep meaning. But he has not sat still, either: In his 50-year career, the art-pop architect has helped turn his albums into Broadway shows, flirted with ascendant folk-rock anthems, and forged multimedia presentations that tested the bounds of what we think of when we think of concerts. His performances feel like jubilees.

Byrne’s enthusiasm for artistic evolution remains abundant on his 2025 album, Who Is the Sky? After hearing the New York ensemble Ghost Train Orchestra interpret the works of enigmatic street composer and poet Moondog alongside Kronos Quartet, Byrne wondered if they might make a suitable backing band for his new songs. Humorous and wise, with seven decades of experience fueling songs about ideas he finds silly and others he finds sacred, Who Is the Sky? celebrates solidarity over sweeping strings and triumphant horns and a commanding sense of rhythmic curiosity, an anchor of Byrne’s work since the start. A clear musical, spiritual, and ideological inspiration to so many artists who have performed at Big Ears during the past 15 years, Byrne—who visited Knoxville in 2023 to speak and curate films—finally plays the festival itself.

Maruja Limon

Maruja Limón is here to reanimate flamenco, to respect its historical origins and inject it with endless modern flair. The sextet formed in Barcelona a dozen years ago with the aim of adding a little pop pep to the sounds of their home. Their 2018 debut, Más de Ti, did exactly that, its acclaim allowing the band to venture even further into electronic textures and brilliant brass arrangements for the next year’s Ante Mí and 2022’s electrifying Vidas. But 2024’s Te Como la Cara—that is, “I’ll Eat Your Face”—suggests they are just getting started with their hybridized escapades. They dip into dembow on opener “Míralas,” strut into salsa on “Leona,” and cascade into international pop laced with synths and group vocals on “Dime pa qué.”

The album’s explosive energy has indeed translated to new audiences. After their stunning performance at the Latin Alternative Music Conference, Billboard raved that Maruja Limón “dominated the stage, breathing new life into flamenco with a captivating fusion.” They went on to play both the Lincoln and Kennedy centers and World Café Live in Philadelphia. Fronted by vocalists Sheila Quero and Esther González and anchored by drummer Eli Fabregas, bassist Carla González, guitarist Vicky Blum, and trumpeter Mila González, Maruja Limón suggests a live wire on stage, a reason they are accompanying David Byrne on tour and appearing with him at Big Ears 2026.